The Car Radio And The Coffin (2026)
In the introduction to Robert Frank’s seminal photography book “The Americans,” Jack Kerouac observes: “After seeing these pictures you end up finally not knowing any more whether a jukebox is sadder than a coffin.” The title of the piece considers this reflection through the gaze of an Iranian-American stuck in an apocalyptic feedback loop; a lonely car circles around a haunting repressed future memory of: The End